As a closing ritual of a stage of plastic and academic exploration, especially technical, regarding the possibilities of the use of industrial paint and clay. With key elements in my research as a painter and as a student, I made the great curtain, which was enclosed for 11 days during the summer of 1997, in the Palatino of the Faculty of Arts of the University of Nariño from where I had just returned.

The work consisted of making a huge painting, which was then placed in the central courtyard of a library in the city, and served as a wall for an instinctive action of cutting, a change of season, departure, and a very vague expectation. 

Three months later, I left the country.